Saturday, January 11, 2020

Bhakti in Jainism


        What is the place of bhakti or devotion in Jainism, which is predominantly a path of knowledge? Can there be bhakti in an atheistic religion which denies the existence of God? And if there is something like bhakti in Jainism, how does it compare with bhakti in other religions? These are some pertinent questions for a sadhaka, a spiritual aspirant, and for a student of comparative religions. In this essay, we shall try to seek answers to these questions.
Faith and Devotion
           There is no mention of bhakti in the earliest Jain scriptures. In Rsibhasita and Uttaradhyayana, sraddha, or faith, is mentioned, but there it refers to faith in the precepts rather than in a person.1 One of the three pillars (triratna) of Jainism is samyak darsana, or right faith. The word darsana connotes seeing or direct perception of truth, but since it is not possible to realize the truth directly in the beginning of one’s religious life, faith in the teachings of those who have realized is advocated. This principle of faith later evolved into faith in the prophets, the preceptor and the precept (deva, guru, dharma).
            Although bhakti and sraddha, or devotion and faith, are often considered synonyms, there is a difference. There can be faith without devotion, but devotion cannot exist without faith. Faith is the basis of devotion, while devotion is the more dynamic development of faith. Faith is a passive mental attitude whereas devotion is its active external expression. The etymological meaning of the word bhakti, derived from the root bhaj, in the sense of sevayam, to serve, also points to its dynamic aspect, and this meaning is accepted in Jainism.

Service and Devotion

            According to Nisitha-churni, to rise from one’s seat in honour of the acarya, to serve him by holding his staff, wiping his feet, offering him seat, etc. are all bhakti.2 In Jainism service is called vaiyavrtya, and it is stressed that bhakti must be associated with, and find expression in, vaiyavrtya. According to Sivaryakoti,3 bhakti towards the five adored ones of Jainism, viz. arihanta, siddha, acarya, upadhyaya and sadhu, and in dharma, can be performed by service alone. He who serves the adherents of the triratna, viz. the right faith, conduct and knowledge, performs bhakti towards the whole Jain religion. Acarya Kundakunda4 also exhorts the monks to undertake the tenfold service with devotion.
            According to another definition, service is equated with humility, or vinaya, (sevayam bhaktirvinayah seva)5 To honour the monks, to stand from one’s seat on seeing them, to salute them with folded hands, to follow them, to offer them seat, to massage their feet, etc. – all come under both vinaya and vaiyavrtya.

Devotion and Love

            These are, however, external expressions of bhakti. Essentially bhakti is love: love for the ideal and towards him who practises it. According to Acarya Pujyapada,6 pure love towards the arihanta (prophet), the acarya (preceptor), the tenets and the scriptures is bhakti. An eminent Jain poet-saint sang:
                        As cows roam about in the forest to graze,
                        But their minds remain
                        Attached to their valves;
                        So may my mind ever remain
                        Attached to the
                        Feet of the Jina (perfected teacher)7
                        even while I am engaged in worldly duties
                        As desire always occupies
                        the mind of the lustful,
                        may my mind too remain occupied
                        with the Lord’s name.8          

            All attachment and love, be it for an ordinary imperfect mortal or for a liberated perfected Jina, is, according to Jainism, a potential cause of bondage. How then can there be love for the Jina? This question has been answered by Jain acaryas variously. Acarya Samantabhadra9 is of the opinion that just as a tiny drop of poison cannot poison the vast expanse of water in an ocean, similarly the great benefits derived from loving the Jina cannot be tarnished by a tiny speck of sin incurred due to love. A more plausible explanation is that the Jina, being established in his eternally pure and free nature, is identical with the Supreme Self (param-atman). Hence to love him is to love our own natural free state. It is implied here that the Jina must not be considered a personality. To love him as a person is definitely a cause of bondage. He must be seen as the Ideal embodied.
            According to Lord Mahavira himself love is a hindrance in the path of liberation. An emotional person may take recourse to love towards a Jina to overcome his passionate human love, but ultimately he will have to get over even this purer, sublime love. The story of Gautama illustrates this fact beautifully. In spite of being the foremost disciple of Lord Mahavira, Gautama did not get the highest knowledge and moksa, or liberation, owing to his intense personal attachment to the Teacher, whereas other disciples, much junior to him, got liberated by listening to the teachings of Mahavira. To destroy this attachment, Lord Mahavira sent Gautama away from him just before his passing away. Not being able to remain at the side of the Lord at the time of death gave a rude shock to Gautama and broke his attachment. He was forthwith liberated.

Knowledge and Devotion

            According to Jainism, devotion and knowledge are not contradictory, but go together. Without knowledge bhakti is blind. Contrarily, right faith (samyak-darsana) is the foundation of the whole spiritual path which culminates in the awakening of right knowledge (samyak-jnana). According to Acarya Kundakunda10, knowledge is already present in the Atman, but he alone gets it who is devoted to the guru. In short, the knowledge which bestows liberation is obtained by devotion towards those who possess that knowledge, and that devotion too must be with knowledge.
            To summarize, bhakti in Jainism is based on faith, is closely related to knowledge, manifests in service, and is an important means of liberation.

Devotional Practices in Jainism

            These include worship (puja), recitation of hymns and prayers (stotra, stava, mangala), salutations and practice of humility (vandana and vinaya), and celebrations and festivals.
            Acarya Somadeva11 says: ‘ May I, O Lord, worship thy lotus feet in the morning, serve the saints and monks at noon, and chant thy glories in the evening. ‘ Thus he summarizes the chief devotional attitude of a Jain devotee.
            The practice of image worship had been prevalent in Jainism from the very ancient times. Historical evidence shows that images of the Tirthankaras, originally twenty-four Teachers, were made as early as the third century BC, while worships with flowers was definitely in vogue by the first century AD. Devotional practices in Jainism were distinctly influenced by those practices in Hinduism, and by the changes taking place in this sister religion. This was allowed by the acaryas because it was realized that, for ordinary householders, it was not possible to concentrate their mind on abstract ideas, and that they needed methods like puja, hymns, etc. Thus at present we find a number of similarities between the devotional practices of the two religions. At least six of the nine forms of the devotions described in the Srimad-Bhagavatam12 are found in Jainism, viz. listening to and singing the glories of the Lord, meditation on Him, caressing the feet, worship, and bowing down. Dasya, sakhya and atmanivedanam or servitude, friendship and self-surrender are not found in Jainism, because they do not fit in with the philosophical concept of the adored Jina or Tirthankaras in Jainism.
            Jain lay devotees perform worship of the image or the footprints of the Tirthankaras, the procedure for which is elaborately described in Jain texts. The image is first brushed clean with a special brush made of khus straw. It is then bathed with scented water and dried with a clean fine cloth. Next sandal paste is applied and it is decorated with flowers, garlands and ornaments. Rice grains and fruits, fresh or dried, are then offered on an offering-table placed in front of the image. The rice grains are generally arranged in special designs that have specific symbolic meanings. Finally incense and lighted lamp are waved in front of the image with accompanying hymns, and the worship ends by salutations. Like the worship in Hinduism with five, ten, or sixteen items (panca, dasa or sodasopacara puja), in Jainism too there is the eightfold or seventeenfold worship (astaprakari, satrahprakari). It is quite evident that this type of worship has entered into Jainism due to Hindu influence.
            Singing of hymns is enjoined as one of the six essential duties of a Jain lay or monastic devotee. The Jain hymnal literature is voluminous. It is both in Sanskrt and Prakrta, and in recent times hymns and songs in the vernaculars also have been added. Some of these have become more popular and are sung by millions of Jains every day.
            The Tirthankara, the object of worship of a Jain votary- unlike the Hindu God, who is all the all-powerful bestower of grace, fulfiller of desires, and destroyer of evil-, is an illumined liberated soul, who is beyond praise and blame, who neither curses nor blesses, and who neither showers grace nor rewards or punishes his supplicants. What then is the idea behind singing hymns and glories of such an impartial witness? It is to purify oneself by the remembrance of the virtues and glories of the Lord that such hymns are sung. He represents the Ideal, the Goal, which the hymns flash afresh in the mind of the devotee. It intensifies his faith, purifies his heart and infuses strength to struggle for the goal. These hymns are in a sense praises of the pure, eternal, free nature of one’s own Atman. Their singing is like self-instruction.
            It is evident from the philosophy behind the worship of the Tirthankara that in Jainism there is no scope for selfish devotion or love prompted by desire. However, in the course of centuries, hymns prompted by desires and with promises of material gains and protection from dangers (phalasrutis) have crept in. And strangely enough, such desires of the singer are often fulfilled !
            Akin to Vedic invocatory or peace chants, there are a number of formulas and verses, called mangalas, in Jainism too, which are chanted before the commencement of any work, specially literary works and studies.
            Vandana, or the practice of humility by making salutation, by bowing down or by uttering suitable salutation is one of the important devotional exercises of a Jain. In the famous Navakara-mantra, salutation is offered to the five adored ones, viz. the arihanta (prophet), the siddha (liberated one), the acarya (teacher), the upadhyaya (expounder of the scriptures), and the sadhu (monk). The characteristics of each one of these are elaborately described in Jain scriptures. Thus the purpose of the salutations is to remind the devotee of the virtues represented by them. Salutation to one’s superior in virtue or senior in station attenuates egotism and cultivates humility, which is the foundation of all other virtues. However, to discourage impostors and hypocrites the Jains are very circumspect about offering their homage. Merely donning the robe or ascending to an office does not make one worthy of honour, if one is without the desired virtues. Hence the question of who should be honoured is discussed in details in Jainism. There are also detailed instructions as to how to salute and what constitutes a faulty salutation.
            The birthdays of the Tirthankaras are celebrated with all pomp and gaiety by the Jains. Apart from special worships, dramas, dances, musical performances, `car’ festivals, etc. are held on such occasions to commemorate the mythological ‘Indra’s worship’ at a celestial holy place called Nandisvara, an eight-day long festival is held every year and is called Nandisvara Festival.

Divisions of Bhakti

            Jain acaryas have divided bhakti into twelve types, depending upon the objects of bhakti. These include such beings as the siddhas, the Tirthankaras, the acaryas and the five adored ones. Bhakti, to them, consists in faith, service, worship and chanting of hymns, wherever applicable. The objects are the scriptures, temples, shrines, sacred trees, Nandisvara, and so on. Finally, states like death in a state of samadhi, yoga, character, peace and nirvana are also the objects of bhakti. To aspire for, pray for, and attempt to attain these states constitutes these types of bhakti.

Devotional Attitude

            As already mentioned, there is very little scope for the loving worshipper- worshipped relationship, because here the object of devotion is a being fee from all feelings of love and attachment. And yet, Jain devotees have been found to adopt the attitude of a servant or even that of a wife towards the arihanta for the sake of the practice of devotion. Hymns and poems of a few Jain sadhakas testify to this fact. The worship of the infant Jina (snatra-pura) is also done by devotees. The ultimate aim, however, is the absolute union with the Supreme Self- in other words, the realization of the eternally free and pure nature of one’s own Atman.

Conclusion

            A critical survey of Jainism reveals that, although there are large number of devotional practices prevalent among the Jain devotees, bhakti has never been so developed as in the devotional schools of Hinduism by which it has been heavily influenced. Prema, or para-bhakti, ecstatic love, is virtually absent in Jainism, which has as its ultimate aim the rising above all bonds of love to realize the pure nature of the soul.

References:




1  Dr. Sagarmal Jain, ‘Jain Dharma Me Bhakti Ki Avadharana’ (Hindi), in Sraman, April-June, 1993, p.22
2 Jinadasgani, Nishitha-Churni, edited by Vijay Prem Surishwara, quoted by Dr Premsagar Jain in Jain Bhakti Kavya Ki Pristhabhumi, Kashi, Bharatiya Jnana Pitha, 1963, p.2
3 Sri Sivaryakoti, Bhagavati Aradhana, Muni Shri Anantakirti Digambara Jain Granthamala, 8, Hirabag, Bombay, Vikram Samvat 1989, p. 152, quoted by Premsagar Jain, (ibid.) p.4.
4 Quoted by Premsagar Jain, (ibid.)p.3.
5 Abhidhana-rajendra-kosha, Part V, p.1365.
6 **************
7 Perfected teacher, Tirthankara; jina, lit., ‘ the conqueror’.
8 Anandaghana, Anandaghanapada- samgraha, Adhyatma Jnana Prasaraka Mandala, Bombay. Quoted by Premsagar Jain, p.9.
9 Quoted by Premsagar Jain, p. 10.
10 Quoted by Premsagar Jain, p.17.
11 ******* Quoted by Premsagar Jain, p.28.
12 ****************- the Srimad-Bhagavatam, 7.5.23.