Japa or chanting the
name of God is given great importance in all the religions of the world. It is
not only an integral part of all devotional spiritual practices, even Sage Patanjali
has given an important place to it in
his Yoga system. Patanjali recommends repetition of Om with thinking of its
meaning as an effective means of control of mind: Tajjapah tadartha bhavanam (1.28)
Relation
between God and His Name
After describing the
characteristics of Ishvara in three sutras, Patanjali mentions Om as the indicator, vaachaka, or name of Ishvara. Tasya vaachakah pranavah.(1.27)
In Katha Upanishad too, Om is
mentioned as supreme or best alambana
or support or means.(1.2.17). However, in the just preceding shloka it is
equated with akshara brahma or the
Supreme Spirit. In the Mandukya Kaarika,
it is said that Om is no other than the Lower as well as the Supreme Brahman,
without beginning; and also the beginning, middle and the end of all, unique and changeless. (I,12, 27-29) We also get the proof of this attitude in the Gospel of Sri Ramakrishna in Sri
Ramakrishna’s conversation with a devotee from Dakshineshwar village. Initially
Sri Ramakrishna expresses the view that there must be something indicated by
the Word. However when the contending devotee
said that the Eternal Word itself is Brahman, the Master agreed with him. (p.188)
According to the
third view of the devotees, the name of God is greater than God. They quote two
charming examples. Hanuman jumped across the ocean chanting the name of Rama,
where as Rama himself had to build a bridge to cross it! Once Krishna was being
weighed. All the available gold and gems etc, were insufficient, and Sri
Krishna continued to remain seated in the lower of the pans of the balance. But
when His name written on a tulasi leaf was placed on the other pan, the pan with the Lord on it became lighter!
The
meaning of the mantra
Since the Name of God
must be repeated with thinking of its meaning, it is important that before
chanting, the meaning is well understood. This again depends upon knowledge.
The meaning of a gentleman named Mohan will be very much different for his
mother and for a causal acquaintance. Hence it is often suggested that we must
try to gain from various books and scriptures as much knowledge as possible
about our chosen ideal, whose name we
shall be chanting.
Every divine
personality has three aspects: an external form, divine qualities, and the indwelling
divine spirit of which He or She is the embodiment. The mantra represents all
the three. A devotee, when he begins chanting the name of his chosen ideal,
first thinks of the holy form. This for him is the artha-bhavanam. As he proceeds, he finds more and more divine
qualities in his Ishta, and he now meditated on them. This is the second stage
of artha-bhavnam. Finally, as he proceeds, he realizes that his
Ishta is not merely a body, or a collection of divine attributes, but the supreme
Spirit Itself. Thus the meaning of the Mantra evolves
and matures as the aspirants continues with chanting.
Beginning
with mechanical Japa
The conditions just
mentioned, though simple, are not easy to fulfil. Most of the aspirants begin japa mechanically for a fixed number of times.
And the minimum number is generally fixed as 108. The Holy Mother Sri Sarada
Devi used to do one lakh japa every day.
And for those who complained to her of restlessness of mind, she would
recommend 20,000 japa a day. Even this mechanical japa done without
concentration has its value. Whether one takes bath in the Ganga knowingly, or
slips into it or is pushed by someone into it, the result is the same. Suppose
a person goes on chanting “rupee, rupee’, 10,000 times every day, will it not
affect his psyche? His mind will get filled with the thought of money, he will
start aspiring for it, will struggle to get it, and finally get it too, with
all its good and bad consequences. If someone chooses to chant the word ‘war’
he is sure to start fighting with others within six months!
Throughout the day, consciously
or unconsciously, we listen to so many
sounds of various types and these leave some effect on our mind. Why not then
allow the music of japa to continue always? Swami Brahmananda used to say that
the cycle of Japa must always be flowing. As many times as we think of the
world, so many times must the name be chanted to counteract the worldly
thoughts. This can be done loudly if necessary, or can be combined with
breathing. It is no wonder, then, that in the Kalisantaranopanishad just a
mechanical chanting of the mantra: 'Hare
Ram Hare Ram, Ram Ram Hare Hare; Hare Krishna Hare Krishna Krishna Krishna
Hare Hare' has been
considered the sole effective means of escaping from the clutches of the Kali
Yuga, the Iron Age.(1-2)
It is not always necessary that with Japa,
thinking of the meaning of the word must be done. Like the images of Rama and
Krishna, their names Rama and Krishna too are the symbols of the supreme
Spirit. Just as by constant meditation on a specific form of God, it becomes
conscious, chaitanya, ie., the
divinity behind it manifests, similarly,
one of the important methods is to LISTEN to the mantra mentally at a specific centre
of consciousness like the heart or the centre between the eye-brows.
Conditions for Japa
Apart from thinking
of the meaning, Patanjali has not given any other instructions for the
repetition in his sutras. However, Sri Ramakrishna has given some important
instructions:
'Japa means silently
repeating God’s name in solitude. When you chant his name with single-minded
devotion (ekamone), you can see God’s
form and realize Him.'(Gospel,
p.878) 'There is no doubt about the
sanctity of God’s name. But can a mere name achieve anything, without yearning
love of the devotee behind it? One should feel great restlessness of soul for
the vision of God.'(Gospel, p.190)
Thus the four
conditions laid down by Sri Ramakrishna are: 1.Chanting must be done silently,
2. in solitude 3. with single-mindedness
and 4. with yearning love and
restlessness.
The first condition
for Japa is to do it silently. Japa can be done loudly (vachika); silently but with lips moving (upanshu) and mentally (manasika).
Of course mental japa is the best, but we generally start with loud vocal japa.
Sometimes, if the mind is too restless or agitated, loud vocal japa may help.
Otherwise it must be done in such a way that others cannot hear,
The second condition
is, it should be done in solitude. While giving instructions about meditation
also, Sri Ramakrishna emphasizes this condition by saying that it should be
done in the mind, in the forest or in a secluded corner. Serious spiritual
aspirants do japa and meditation in forests or caves. In the absence of such a
possibility, Sri Ramakrishna recommends creating solitude in one’s own house,
in a shrine made in a corner. The need for such seclusion is obvious; unless
external sounds and disturbances are cut down at lease to some extent, mind
can’t be concentrated in japa or meditation. In solitude when external sense-stimuli
subside, only internal mental modifications remain which can be controlled by
japa and meditation. It is therefore advised to do japa at night in cities when
all are asleep.
An important
condition for Japa laid down by Sri Ramakrishna is single-mindedness. Mind acts
in various ways: thought, imagination, memory, fantasy, resolve, desire etc. If
we desire to do japa but thoughts are different and imagination is running
elsewhere, we cannot claim to have one mind or one-pointed mind. Mind is
restless by nature, running in various directions, constantly changing its
resolve and vacillating between opposite desires. All these various functions
of the mind must be one-pointed. In the popular Christian book, The Way of the Pilgrim this has been
very beautifully expressed: 'Prayer
must be done always constantly, uninterruptedly, with the lips, in the spirit,
in the heart, forming a mental picture of His presence and imploring His grace.'
The next condition
for success in Japa is ‘yearning love and restlessness.’ The name and the Named
one, God, are the same, nay God’s Name is even greater than God—we must have
such faith. One does not get joy in japa initially. Hence, initially japa must
be done with firm faith. The devotee will not leave japa once he starts getting
joy in it. But till then faith,
determination and dedication are necessary.
But the most
important is yearning. Imagine a person is drowning and he shouts 'Help'―just one word! As soon as any passer-by
would listen to this earnest cry, he is bound to run to help. What great yearning, restlessness and utter
helplessness is stored in that one word! Such was the single-word cry of the
drowning Gajendra, or of Draupadi in the court of Kauravas when Dushasana was
trying to de-robe her. And the result was that in both the cases the Lord
virtually ran to protect them. Or take the case of a baby playing with its
toys. At times he does remember and call 'maa',
but mother does not come. But when in the end, he throws away the toys and
shouts loudly 'MAA' the mother
immediately comes running. Japa also is like the words Help, or Maa, chanted
with great yearning and earnestness. This of course does not mean that we shout
at the top of our voice. What is important is the yearning of the heart. If
there is yearning, the Lord would listen even if we do not open our mouth.
Benefits
of Japa
Japa and meditation
are interrelated. Japa leads to meditation. It is like placing dots in one
line: meditation is like joining those dots. Inversely, interrupted meditation
is nothing but japa. We begin with vocal
japa, then comes internal, mental japa which becomes meditation or an unbroken
mental flow of thought towards God. Later even this stops and only the artha or
the meaning of the word remains. Thus japa leads to meditation and Samadhi.
According to
Patanjali there are two more benefits of japa: 'Tatah prakchetan-adhigamo-pynataraaya-abhaavashcha.;(1.29) 'From
that is gained introspection and destruction
of
obstacles.
Sri Ramakrishna has
very succinctly defined the introspective mode of mind when he said: 'Sandhya merges into Gayatri and Gayatri merges into Om.' Introspection is essentially a process of
concentration and turning within. When japa is done with concentration, all
other words get merged into the one mantra being chanted, and when this is
practiced for a long time, without break and with dedication, mind becomes
controlled, indrawn and peaceful. What one gets is described as the vyavasayika buddhi (Gita,2:41) by Sri
Krishna in the Gita. One gets inner joy. In fact there is no joy outside. All
joys are a mere reflection of the joy
within which is experienced by japa.
The destruction of
obstacles to the path of Yoga is another benefit of japa. Patanjali enumerates
nine such obstructions most of which are tamasic and mental. Vyadhi-styana-sanshaya-pramada-aasasya-avirati-bhrantidarsana-alabhadha-bhumikatva-anavasthitatvani.(1.30)
'Disease, languor, doubt, carelessness, laziness, lack of detachment, wrong
notions, inability to ascend to higher spiritual levels and to get established
there are the obstructions.'
The first one is
disease, and interestingly and significantly, even physical illness gets
reduced and may even be cured by japa. Doubts disappear, undue attachments get
weakened, and one gets a clear understanding of the spiritual path. And a
serious aspirant who persists with japa ascends to higher levels on the
spiritual ladder and gets established there.
According to Patanjali, pain, depression, trembling of the body and
irregular respiration may accompany the above mentioned obstructions.(1.31) These also are cured by japa.
Conclusion
There
is a large literature available on the subject of mantra and japa in all
religious traditions. Here we have presented in short the subject on the basis
of the Patanjai’s Yoga Sutras and the teachings of Sri Ramakrishna stressing the practical aspect.